![]() Some of his furniture sketches are based on the structural stability of the human body. The juxtaposition of geometric forms like cubes with human figures in various positions is evident in his work. The figures have also been integrated with design drawings. Santiago Calatrava has used his imagination to draw human figures. ![]() The figure shows a female resting on her stomach, feeling the tenderness of the moment. For him, ‘Form follows Feminine’.The same interpretation can be seen in his human sketches. This philosophy has been seen in his design as the sensual, wavy, and delicate curves of the buildings represent the feminine characteristic. Oscar Niemeyer metaphorically associated a female form with his love for mountains, rivers, oceans, sun, and sky. The free-flowing messy line sketches are scribble to him having certain meanings, which helps him to create something new with each design. His post-modern design philosophy can be seen in the sketches. The human sketches are done with fluid fine lines and spontaneous improvisations. Gehry’s signature unusual forms distinguish his sketches as well as design from others. Human figures © Pinterest Human figures © Pinterest 4. His ‘poetic modernism’ ideology can be seen in the labyrinth sketches. This exhibited a rare amalgamation of architectural drawings, landscape elements, humans, and animals. The people who appeared in his drawings could be someone he had spent time with or an old acquaintance. His architectural drawings frequently had disproportionate human figures and sometimes animals, drawn from his memory. ![]() Álvaro Siza | Human Figures DrawingsĪlvaro Siza’s sketches are drawn with the continuous black line on white sheets, without any use of color and line thickness. This led to the inconsistency of architectural units. However, the French Revolution introduced the world to standardization, and the metric measurement of units came into use. It remains one of the major works done during the Renaissance era.Įarlier, the building of Greeks, Egyptian civilizations like the Parthenon, the temples, and cathedrals were constructed using the imperial measurement of units. The drawing is kept at the Galleriedell’Accademia in Venice, Italy since 1882 and is exhibited rarely. Therefore, this demonstration proves his quote -“Realize that everything connects to everything else.” He also explored the relationship of the human body with nature. He exhibited that a man with his feet securely on the ground and arms extended out can be accommodated within a square and in a spread-eagle position can be inscribed in a circle. Always been interested in anatomical studies, Leonardo Da Vinci represented the structural stability of the human body and related the same with architecture in this creation. The pen and ink human figures drawings show two male figures overlapping each other in different positions and inscribed in a square and a circle. It is also known as the ‘Canon of Proportions’ and ‘Proportions of a man’. Leonardo Da Vinci drew ‘The Vitruvius Man’ around 1487, based on De Architectura, an architectural treatise by the renowned Roman architect and engineer Marcus Vitruvius Pollio. Leonardo Da Vinci | Human Figures Drawings I suspect the results could have been the same, although the regularity of the lines is more consistent with an artistic interpretation.1. 'This work suggests such a possibility, but I wonder if those lines could equally have been created by simply sharpening an ochre crayon, which would then be used elsewhere. The question, however, remains whether their meaning is artistic. Silvia adds, 'The analyses of the lines clearly suggested they were a deliberate creation. Ochre powder was used in a variety of ways in the Middle Stone Age, including as a glue additive and possibly as a sunscreen.Įxperts have not yet agreed on whether this pattern is likely to have been an artistic creation or not. Ochre is rock that is rich in iron, giving it a characteristic red or yellow colour. The abrupt termination of the lines at the edge of the stone suggests that the pattern originally extended over a larger surface, and may have been more complex. Based on experiments recreating the pattern, the authors of the study concluded that the drawing was made with a pointed ochre crayon, with a tip measuring between one and three millimetres.
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